On The Waterfront Film Techniques Essay.
On the Waterfront presents the labour conflict and corruption of the time in terms of the experiences of one docker, Terry Malloy (Marlon Brando) who begins to have doubts about his life from the moment he is forced by his brother Charley (Rod Steiger) and by Johnny Friendy (Lee J. Cobb), the leading officials of the union local, to set up someone to be murdered. The man had been talking to.
Graeme Turner describes film as a signifying practise. With close reference to at least one film studied on the unit, Identify the ways in which specific cinematic techniques (lighting, sound, editing, mise-en-scene, film stock, camera angles etc) contribute to meaning(s) in the film.
On the Waterfront (1954) is a classic, award-winning, controversial film directed by Elia Kazan - a part drama and part gangster film. The authentic-looking, powerful film is concerned with the problems of trade unionism, corruption and racketeering. And it is set on New York's oppressive waterfront.
The Film Techniques Toolkit.. The list below provides some of the key film techniques for writing about cinematic texts. Important Film Techniques. Image and device by Henry Nelson. Cross-Cutting. Is an editing technique where actions are established as occurring at the same time. The camera will cut away from one action to another action.
The movie On the Waterfront begins with a long shot and the surroundings on the edge of a waterfront. There is a dark lighting like sunset is about to hit, and we are able to see a giant cruise liner in the harbor. The giant boat stands out in the light, and the much of the water is dark.
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For all its great dramatic and cinematic qualities, and its fiery social criticism, Elia Kazan's On the Waterfront is also one of the most gripping melodramas of political corruption and individual heroism ever made in the United States, a five-star gut-grabber.